Excerpt from Plays, Vol. 1 To the first volume of his remarkable series of autobiographical vels, August Strindberg gave the name of The Bondwoman's Son. The allusion was twofold - to his birth and to the position which fate, in his own eyes, seemed to have assigned him both as man and artist. If we pass on to the third part of his big trilogy, To Damascus, also an autobiographical work, but written nearly twenty years later, we find The Stranger, who is ne but the author, saying: I was the Bondwoman's Son, concerning whom it was writ - 'Cast out this bondwoman and her son; for the son of the bondwoman shall t be heir with the free woman's son.' And The Lady, back of whom we glimpse Strindberg's second wife, replies: Do you kw why Ishmael was cast out? It is to be read a little further back - because he was a scoffer! And then it is also said: 'He will be a wild man; his hand will be against every man, and every man's hand against him; and he shall dwell in opposition to all his brethren.' These quotations should be read in conjunction with still ather, taken from Strindberg's latest play, The Great Highway, which, while being a sort of symbolical summary of his life experience, yet pierces the magic circle of self-concern within which too often he has remained a captive. There The Hermit asks: You do t love your fellow-men? And Strindberg, masquerading as The Hunter, cries in answer: Yes, far too much, and fear them for that reason, too. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art techlogy to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
