Henry Martyn; Saint and Scholar: First Modern Missionary to the Mohammedans; 1781-1812 (Classic Reprint) by Professor George Smith (Paperback / softback, 2015)
Excerpt from Henry Martyn; Saint and Scholar: First Modern Missionary to the Mohammedans; 1781-1812 In the year 1819, John Sargent, Rector of Lavington, published A Memoir of the Rev. Henry Martyn. The book at once became a spiritual classic. The saint, the scholar, and the missionary, alike found in it a new inspiration. It ran through ten editions during the writer's life, and he died when projecting an additional volume of the Journals and Letters. His son-in-law, S. Wilberforce, afterwards Bishop of Oxford and of Winchester, accordingly, in 1837 published, in two volumes, Journals and Letters of the Rev. Henry Martyn, B.D., with an introduction on Sargent's life. Sargent had suppressed what Bishop Wilberforce describes as 'a great variety of interesting 'materials.' Especially in the lifetime of Lydia Grenfell it was thought necessary to omit the facts which give to Henry Martyn's personality its human interest and intensify our appreciation of his heroism. On the lady's death, in 1829, Martyn's letters to her became available, and Bishop Wilberforce incorporated these in what he described as 'further and often more continuous selections from the journals and letters of Mr. Martyn.' But, unhappily, his work does t fully supplement that of Sargent. The Journal is still mutilated; the Letters are still imperfect. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art techlogy to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.