Meet Chicago Cabbie Eddie Miles From the driver's seat of his cab, Eddie negotiates a city splintered by race and class and rapidly losing its ecomic underpinnings. Nobody's Angel has the wry humor and engaging characters typical of the best of the hard-boiled genre, but Clark's portrait of Chicago in the 1990s, with its vanishing factories and jobs, its lethal public housing projects, its teenage hookers climbing into vans on North Avenue, is what gives it legs. Sure there are a couple murderers on the loose, but the larger violence is coming from systemic forces wreaking havoc in a place that, maybe, used to be better. --Deanna Isaacs, Chicago Reader